![]() Used for over 3 years, I am very demanding with reverbs and I found my Grail home studio, especially for a more classic than space. The Room is the best I know, the lobby is beautiful and huge, in the spring you ammene ennio morricone or shadows, the platform is awesome with a guitar or snare. ), we go to work seriously and there is the foot. Once passed the stunning but very effective side reverbs space (the relatively annecdotiques use. Space is the home connected auxiliary and can handle everything I want (vocals, synths, guitars, rhythm. The first time I plugged in my home studio, I had the impression of being a good fifteen years back and find myself in one of those big studio who were the only ones who can afford to time of the lexicon, the TC or eventide. The sound quality is simply impressive, it really is very pro and is far from any kind of plugin or multi-effect base, we are in the high end professional and uncompromising. To use a more "classic", the book is important because four more standard algos (room, flat spring and hall) are not to decorate and it would be a shame not to use such a machine for the FX. ), and what is done to it and it's broke, a preset is chosen, turn knobs and interstellar journey begins. if you stay in the field of predilection of the machine, the reverb space (think Blade Runner for example. The general configuration is relatively simple to handle.Įditing sounds is easy? ca is another story. ![]() There is a manual in French, interesting to get to know the action of some knobs depending on the algorithm chosen.Īny changes live on the machine is usable (no staircase effect, immediate response). connectors for expression pedal and a button hotswitch funny. This is a pedal "reverbs" produced by digital eventide, stereo or mono, stompbox series connection very well thought out and complete (with selector level input and output allowing any type of use).ġ2 reverb algorithms of processors from prestigious brand. I tested the reverb for the harp with the cathedral and the EHX at TC electric are fine, but Eventide still plays a little more in the big leagues.Įventide severe bill, but the price is worth it.įor eventide, I think it quiet enough to no longer tolerate their caviar to them. I use the Space with an electric harp, and every sound that passes through the space in magnified fate. Next to customize settings is a bit more intuitive, advice to researchers SONS! Very easy to use for basic presets, which are already very rich and numerous. ![]() With a quality which will approach the heat of analog,īut compact and virtually unlimited, with diverse and varied knobs to configure very personal settings, and completely insane. Never before has there been a more dazzling collection of reverb algorithms combined with delays, pitch shifting, tremolo, modulation, and spatial effects in such a compact and affordable package.Eventide Reverb home offers a batch of Delay, Reverb, Pitch Shift, tremolo, modulation and other special effects to want you in here. These unique effects, previously available only in Eventide rack processors, are now available in a compact, roadworthy package. Space includes 100 presets, including presets crafted by Flood and Alan Moulder (The Killers, Nine Inch Nails, Smashing Pumpkins, My Bloody Valentine, 30 Seconds to Mars, PJ Harvey and Them Crooked Vultures), Justin Meldal-Johnsen (Beck, Nine Inch Nails), Richard Devine (sound designer, synthesist, performer, remixer), Vernon Reid (Living Colour), Amedeo Pace (Blonde Redhead), Alex Somers and Jonsi Birgisson (Jonsi and Alex, Sigur Ros), Amadeo Pace (Blonde Redhead) and John Agnello (Patti Smith, Sonic Youth, Dinosaur Jr., and Kurt Vile). Space features 12 of Eventide’s signature reverb combination effects culled from the H8000FW and Eclipse V4 along with some startling new magic. Never before has there been a more dazzling collection of reverb algorithms combined with delays, pitch shifting, tremolo, modulation, and special effects in such a compact and affordable package. Read the July 2011 GearWire review of the Eventide Space here. Read the July 2011 Recording Magazine review of the Eventide Space here. Watch the Space perform in the GuitarWorld videos here. Guitar or line level inputs and outputs.Reliable metal footswitches for instant preset access. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |